When I was a student at SAIC, some blowhard art critic declare painting to be "dead." I found this seriously distressing, and I can recall quite vividly the answer one of my painting instructors gave me when I asked him if painting was indeed dead. " That guy is a twat! He wouldn't know his own ass from a hole in the wall..if it's not dead to you, then paint away!" Oh Marion Kryczka, I miss you. I hope you're well.
Anyhow, I have always been attracted to artists who push, either with the medium they use or the questions they ask through their work. When I learned about Zahra Ammar and the kind of questions she poses, " How can something as mundane as paper be pushed to its limits?" I was intrigued.
" The versatility of paper as a medium fascinates me as I poke and pinch it, twirl and curl, and fold and mold it to create art. It is so forgiving, yet it can do things that even paint can’t. I primarily use a technique called ‘quilling’ to shape strips of paper that are integrated perpendicularly rather than pasted flat on a background. For an instance, it looks like an illustration, but in the next blink of an eye it looks like a sculpture. I also fold and cut paper into 3D structures."